Hunter Newton is a director, DP, and creative producer building cinematic content for the brands, moments, and movements that matter. From concept to final cut — nothing outsourced, nothing generic.
The Filmmaker
Hunter Newton is a director, cinematographer, and producer who got his start making the kind of content that stops a scroll. Working with the NBA, Nike, SLAM, and the Portland Trail Blazers gave him the reps — but his vision has always been wider than any single industry.
He operates with the instincts of a journalist, the eye of a cinematographer, and the strategy of a creative director. Every project is built from scratch — no cookie-cutter templates, no stock footage, no watered-down executions.
Whether it's a brand launch film, a product campaign, a documentary series, or a live event — Hunter brings the same obsessive attention to detail that turned local Portland projects into nationally recognized content.
Creative Producer & Director
What I Do
Capturing the energy and emotion of the game. High-intensity edits that get crowds hyped and athletes noticed.
Bringing concepts to life from idea to execution. Visual strategy, moodboards, and shot lists that set the vision before cameras roll.
Highlights, recaps, and storytelling edits that leave an impact. Fast turnaround, broadcast-quality output, every time.
Vertical, short-form edits optimized for TikTok, Instagram, and YouTube. Built to stop the scroll and drive engagement.
Cinematic interviews and deeper storytelling pieces. Real stories told with intentional framing, lighting, and pacing.
Clean, modern visuals for brands and businesses. From product launches to brand films — polished and ready to publish.
Skilled in Premiere Pro, DaVinci Resolve, After Effects, and Lightroom. Color grading, sound design, and motion graphics.
Aerial shots that elevate the story. Sweeping establishing shots and dynamic movement that ground-level cameras can't capture.
Media days, behind-the-scenes, and player features. Building the visual identity of teams from the locker room to the arena.
Selected Work
Every shot is a decision. I build images with intention, purpose, and story in mind.
Lighting is mood. I use light to make people feel something — whether it's a gym at midnight or a product on a table.
The edit is where the story lives. Pacing, music, rhythm — I cut until it hits the way it's supposed to hit.